- Locations/settings: working class apartments. Fields and countryside, as well as Brighton Beach contrast to the city shots and give a sense of freedom, refugee. Establishing shots in each sequence. Duncan's house is white, washed-out and almost clinical, making an impression of purity, although we know that Duncan isn't pure at all. Joanne's red lipstick and hoodie contrast with the whiteness and suggest something bad is going to happen.
- Narrative structure: woman's point-of-view. Throughout the film we get flashbacks and the story is pieced together. Almost till the end it's unclear what exactly has happened.
- Characterisation: Kelly's character is developed into a mother-like figure. Joanne is the one who changes lives, as she helps Kelly to see some hope and makes the tough guy Stuart realise they have something in common. As Duncan dies, Stuart is free from his control(shown with the ability to smoke again). Male gender is dominate.
- Ideology: hierarchy, the pyramids of life. Society is divided in three classes, where the upper class is in control of the other two. Entrapement is portrayed throughout the film and women are trying to escape. Working class enforced community - a sense that there is no way out. Exploitation - female prostitution. Violence towards women.
- Genre features: diegetic sounds. "Moonlight Sonata" when filming Duncan's house - the most important moment of the film. Most of the film is dark, but when Kelly and Joanne go to the Brighton beach, it becomes lighter. The film is more cinematic than "Bullet Boy" and "Sweet Sixteen", as it no longer reminds so much of a documentary. Wide screen is used to create powerful close-ups. Similar to "Bullet Boy" and "Sweet Sixteen" as there's a desperation to escape. All the films explore different parts of working class lives - prostitution, guncrime, violence, drugs.
Wednesday, 11 March 2009
London to Brighton
Wednesday, 4 March 2009
Notes on "Bullet Boy"
- Directed by Saul Dibb, 2004.
Locations/settings: the film is set in London's outer part where the lower class lives. The flat creates a sense of being safe, almost like a haven, but it is very small, even claustrophobic and contrasting with the exterior. The scene of police breaking in and vandalising the flat takes away the safety.
Narrative structure: a spectatorship is created throughout the film, as the viewers are involved and witness everything through their own eyes. The events take place in few days time after Ricky comes out of the prison. Fast action.
Characterisation: the little boy, Curtis is a witnesser and the bullet boy. Ricky, his big brother, is an influencer. Mother is a strong female figure, making decisions, but her boyfriend is the saver or at least he tries to be one. Throughout the film, each of the characters is going through changes - at first, Ricky tries to escape his own life, but then gives up, Curtis, on the other hand, becomes more mature and grows up too quickly. His brother's actions make him realise what he wants to do with his own life. The male figures are depending on women. There are strong connections between the characters, for example, even though Ricky wants to leave, he decides to help Wisdom and gets in trouble himself.
Ideology: mostly back people are portrayed. White characters are complete opposites and almost authoritative figures. A strong belief in god is brought in by Mother's boyfriend. His mission is to introduce god to everyone. The preach scene is the first time when the Mother is seen in a religious place, showing her changes. The film tells about the lower class. Their lives are like never-ending circles from which nobody can escape.
Genre features: similar as "Sweet Sixteen" the film tells about the lower class. Both films portray young male characters trying to escape their lives. Mostly diegetic sounds can be heard to create a sense of realism. However, a sad piece of music is used to signify changes in the mood. Lots of contrasts can be seen, for example, when parallel action takes place - the dinner party hosted by Ricky's mother and the party at a night club. The film also links with "Sweet Sixteen" because it seems like male characters are the ones who tend to get in trouble. In both films, one of the character is in prison and a welcome-back party is hosted when they come out.
Tuesday, 3 March 2009
Contemporary Film Culture
http://www.bfi.org.uk/features/ultimatefilm/cinemagoing.html
Cinema-going has taken an important part in the film history, but it seems to be a bit forgotten. However, I think the attractions are sufficiently strong to attract audiences. First of all, cinema has always been a place that provides the best sound and image quality. Second, throughout years, cinema-going has been considered as a part of night-out. In the past, going to the cinema was considered to be the same as going to a theatre or opera. People dressed up and prepared to socialise with others who have come to the film. Nowadays, cinemas provide bars and restaurants, which means even more space and opportunities to meet with other people and discuss the film.
A website containing links to online filmviewing sites:
http://www.ovguide.com/movies.html
For a long time, parts of films have been available on the YouTube, but they have now decided to show full-length films from Metro-Goldwin-Mayer's archives.
The BBC artice:
http://news.bbc.co.uk/1/hi/technology/7720918.stm
An article from The Guardian about concerns of the days of cinema-going being numbered:
http://www.guardian.co.uk/film/2006/jan/27/johnpatterson
Monday, 23 February 2009
Film Exhibition
http://www.filmreference.com/encyclopedia/Criticism-Ideology/Exhibition.html
To be continued...
Wednesday, 11 February 2009
Star Images
Some websites with film star images:
http://www.allmoviestar.com/
http://www.mtv.com/movies/photo/
http://www.imdb.com/



Due to her frequent visits to the third world countries, Jolie has seen many children living in awful conditions, so she decided to arrange adoptions. This has caused controversaries and discussions whether she can take care of so many children.



Film Reviews
At first it seemed to me that this film is loved by critics, since it received 13 Academy Awards and 11 BAFTA nominations, however, the truth was different. From the 11 BAFTA nominations, it won just three: Best Makeup&Hair, Best Production Design and Best Visual Effects. I believe these were not the kind of wons everyone were hoping for, since "The Curious Case of Benjamin Button" was also nominated for categories such as Best Film, Best Director - David Fincher, Best Leading Actor - Brad Pitt, Best Cinematography - Claudio Miranda and Best Editing, basically, the kind of nominations film makers are working/hoping for. The critics reviews were sometimes completely opposite, for example, The Guardian gave it just one star, whereas Empire voted it the highest 5 stars.
Article from The Guardian http://www.guardian.co.uk/film/2009/feb/06/benjamin-button-brad-pitt-cate-blanchett
Article from Empire http://www.empireonline.com/reviews/review.asp?FID=10606
The funniest thing about these two is that they both are complete opposites, not only because of the 1 and 5 star rating, but because The Guardian says: "Brad Pitt and Cate Blanchett star in 166 minutes of twee tedium about a life lived backwards" whereas Empire: "Aptly for a film so concerned with time, Button is 13 minutes shy of three hours and just flies by. If this is Fincher selling out, can he sell out more often please?"
Wednesday, 21 January 2009
Film marketing
- Trailers
- On-set posters and action figures
- Talk shows
- Entertainment programs, news programs
- Behind-the-scenes documentary shows
- Advance trailers, longer previews, behind-the-scenes footage on rentals or DVDs
- Studio-sponsored per-film websites
- Viral marketing - free distribution of trailers on film-oriented websites
In print
- Paid advertisements in newspapers, magazines and inserts in books
- Cross-promotion of original book or novelization, including special printings or new cover jackets
- Comic special editions or special episodes.
The advertising of The Dark Knight started in May 2007 when 42 Entertainment began a viral marketing campaign using films tagline “Why So Serious?” They launched a website featuring a fictional political campaign of Harvey Dent. Throughout the pre-release period, fans were asked to complete tasks. On October 31, 2007, the film's website morphed into another scavenger hunt with hidden messages, instructing fans to uncover clues at certain locations in major cities throughout the United States, and to take photographs of their discoveries. The clues combined to reveal a new photograph of the Joker and an audio clip of him from the film saying "And tonight, you're gonna break your one rule." Completing the scavenger hunt also led to another website called Rory's Death Kiss (referencing the false working title of Rory's First Kiss), where fans could submit photographs of themselves costumed as the Joker. Those who sent photos were mailed a copy of a fictional newspaper called The Gotham Times, whose electronic version led to the discovery of numerous other websites.
WhySoSerious.com directed fans to find letters composing the Joker’s message "The only sensible way to live in this world is without rules," to send in photographs of these letters, and then featured their photos in a collage.
The Dark Knight's opening sequence, (showing a bank raid by the Joker) and closing montage of other scenes from the film, was screened with selected IMAX screenings of I Am Legend, which was released on December 14, 2007. A theatrical teaser was also released with non-IMAX showings of I Am Legend, and also on the official website. The sequence was released on the Blu-Ray edition of Batman Begins on July 8, 2008. Also on July 8, 2008, the studio released Batman: Gotham Knight, a direct-to-DVD animated film, set between Batman Begins and The Dark Knight and featuring six original stories, directed by Bruce Timm, co-creator and producer of Batman: The Animated Series.

